Now on Twitter! Whoop-de-Doo!

Guess what? Well, based on the title you probably already know what and that question was useless, but I didn’t post the link to our page in it, so here you go! Remember, it’s @HorribleAmazing with an “e” not a “y” in the middle because someone took @HorriblyAmazing first.

If you have any review suggestions, feel free to Tweet ’em to me and I’ll definitely watch them, enjoy them like the priceless polished gems they likely are, and consider reviewing them. And if you follow me, I’ll gladly follow you, as long as you’re not a suspiciously lonely beautiful woman with “18” at the end of your name.

Also don’t forget we’re also on Facebook, where you’ll see a post about how we’re now on Twitter! Kind of a full circle thing. And thanks for visiting, of course!

2014 in Review for This Horribly Amazing Blog

The stats helper monkeys prepared a 2014 annual report for this blog. Pretty cool, although the fact that I didn’t make it to a million views this year unfortunately means I have no choice but to mix my cyanide cocktail on New Year’s Eve. Oh well.

Here’s an excerpt:

A San Francisco cable car holds 60 people. This blog was viewed about 1,100 times in 2014. If it were a cable car, it would take about 18 trips to carry that many people.

Click here to see the complete report.

The Gingerdead Man (2005) Review

I don’t come across that many great Christmas-themed horror films made in the last ten years, but there is a film that I’ve recently had the pleasure of watching in a dark room last Saturday morning at 6:00 AM sharp when I finally popped it into my DVD player; I had owned the movie for nine years since its release in 2005, but was too afraid to watch it. The cover gave me chills, and I had three nightmares in one night about this horrible looking creature. I’m glad I finally mustered up the courage after four vodka Red Bulls to finally watch it last weekend, though. And it was every bit as glorious as I thought it would be. It surprisingly had a lot of funny moments in it as well that had me guffawing quite a few times like a toddler on speed.

To end the suspense I’m sure is butchering you, I will tell you that this film is The Gingerdead Man, produced and directed by Charles Band. He also wrote and produced 1989’s Puppetmaster, which is in my opinion the best horror film of the 1980s in every way.

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Breeders (1986) Review

[WARNING: This review contains screenshots of various nude women, including shots of actresses who appear to be in the midst of orgasmic heaven while bathing in what looks like vanilla pudding. If you are under 18 and looking at this review for masturbation material because you don’t have access to actual porn due to parental locks, or can’t get laid, I can understand perfectly. However, if you’re above 18 and came here looking for the same thing, I suggest you visit a variety of other sites that have a lot more explicit material to satisfy your needs. Escort services are also a good bet if you want the real thing. Google is a great friend. Thanks for taking a look at this review in any case!]

It’s common knowledge that the greatest horror films are the ones that explore themes most people are afraid to explore, from extreme torture, to vicious cold-blooded murder, to alien rape and subsequent impregnation in abandoned subway stations. The latter is what this film dives into with unadulterated fearlessness, and it sure as hell does a fine job keeping the topic original and classy.

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The Pest (1997) Review

Sometimes a comedy film comes along that goes misunderstood by nearly everyone who comes across it, with rapid-fire jokes that seem to fly over the audience’s collective head.

The film I am looking toward this time is 1997’s The Pest, a film so underrated and full of comedic flair that most audiences simply can’t handle it, mostly because they are wrongfully offended. I’m here to challenge the scathing reviews and widespread hatred by holding this film up as the Mount Everest of ’90s comedy, which it is. And to top it off, it prides itself on being a loose adaptation of the classic short story “The Most Dangerous Game”, which in my humble opinion pales in comparison to this amazing flick.

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R.O.T.O.R. (1987) Review

There are few action films that evoke the kind of emotions that make you proud to be a filmgoer, particularly when it comes to films about rogue killer robots like the absolutely abysmal The Terminator or Terminator 2, but when they show up for audiences twenty years into the future and let you revel in their superior production, it’s movie magic in its truest form.

The film I am referring to in this case is a sadly obscure gem called R.O.T.O.R. Released in 1987, Cullen Blaine’s seminal film takes the then-popular concepts of The Terminator and RoboCop franchises and chisels them into something truly revolutionary, bringing philosophical ruminations about the nature of humanity and the moral ambiguity of technological development to the forefront of the audience’s thoughts. This is a thinking man’s film if there ever was one, no doubt about it. No little people with simple minds will be able to actually comprehend or appreciate this marvel in filmmaking.

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Ghosts of Mars (2001) Review

People have praised John Carpenter’s Halloween and The Thing as his crowning achievements, acknowledging them as groundbreakers in the genre of horror, with Halloween often credited with spawning a slew of slasher flicks that saturated the 1980s into today, while The Thing supposedly changed the shape (pun most certainly intended) of movie monsters. At the same time, people forget to appreciate the film that represents the true pinnacle of Carpenter’s career, a culmination of all that he has hoped to achieve in the realm of horror ever since the inception of his career. That film is 2001’s Ghosts of Mars.

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